Welcome to Tales from the Calendar, where I write about the comic behind the cover featured that month (or, in some cases, a prior month) in the 2018 Vintage DC Comics Calendar from Asgard Press. This time out, we take a look at World's Finest Comics #36, with a cover by the great Win Mortimer.
Of course, their copy has seen better days. |
Win Mortimer is one of those great Canadian comic book artists, part of a lineage that includes Joe Shuster, Ken Steacy, Darwyn Cooke, John Byrne, Todd McFarlane, Chris Bachalo, Dale Eaglesham, Tom Grummett, and Stuart Immomen, among many, many others. Mortimer joined DC after brief military stint during World War II. His early work revolved around the Super and Bat books, and he launched the Robin feature that appeared in Star-Spangled Comics. He replaced the legendary Wayne Boring on the Superman newspaper strip for seven years. His later work featured a number of Legion of Super-Heroes stories and the creation of Stanley and His Monster, a strip which would eventually take over the title it appeared in. Fans of my age will recognize him from his work on Spidey Super Stories, the Electric Company tie-in at Marvel.
World's Finest #36 was cover dated September-October, 1948 and hit the stores that July. It was a time that combined hope and turmoil globally. The world was continuing to heal from World War II, which had ended a scant three years prior. When the issue hit the stands, the London Olympics were just opening, the first games played since the 1936 Games in Nazi Berlin. The US desegregated its military, but at the same time, the House Un-American Activities Committee was going full bore, continuing its witch hunt for potential communists and other "disloyal" citizens, like Alger Hiss, a State Department official who was called to appear in August. France and the Netherlands both acquired new leaders, while North Korea split off from the South. India, which had just gained its independence, decided to do what free nations do, and invaded the State of Hyderabad.
World's Finest Comics was, at the time, an anthology that published stories of characters that were popular enough to warrant additional exposure on top of their regular books. Titled World's Best Comics for just the first issue only, World's Finest always featured both Superman and Batman stories until 1954, when the format switched to show Superman and Batman teaming up together in the same story. The title lasted until 1986, almost always maintaining the Superman/Batman team-up format, until it was canceled to make way for the Superman reboot overseen by John Byrne. I'm unsure if this was the format for every anthology issue of World's Finest, but this particular issue was bookended by the two top heroes.
It figures that Superman realizes he has feelings for Lois while she's scamming him. |
"Lois Lane, Sleeping Beauty?" was produced by the team of William Woolfolk and Wayne Boring, with Stan Kaye inking. I've talked about the art team of Boring and Kaye back when I talked about Superman's Girl Friend, Lois Lane #7. They were an ongoing team for Superman for twenty straight years, starting in 1943. I talked about William Woolfolk in the first Tales from the Calendar. The Shakespeare of Comics worked all over the industry, including on such illustrious characters as The Spirit, Captain Marvel, and Archie.
And so the handlebar mustache fad came to an end. |
Doc and Fatty were written and drawn by Howard Sherman. Sherman is perhaps best known as co-creating Doctor Fate alongside Gardner Fox. Sherman stayed with Fate through most of his run in More Fun Comics, then stuck with DC until 1963 when he left comics altogether. He spent a portion of his remaining career designing packaging for a toy company and then working in advertising. One of the struggles he had in comics was matching the "house style" that various characters and titles had.
Seriously? A sub-yacht? |
The Boy Commandos were created by the legendary team of Simon and Kirby, but this particular tale was produced by George Kashdan and the amazing Curt Swan. Kashdan bounced around comics and animation, writing superhero comics as well as war and horror comics, co-creating Tommy Tomorrow and writing scripts for cartoons like The Mighty Hercules and The Superman/Aquaman Hour of Adventure. Curt Swan, of whom I've written about multiple times, replaced Wayne Boring as the Superman artist in the 1960s and continued his primacy over the character through the mid-1980s.
A Casey the Cop strip separates the Boy Commandos from the next feature. In this strip, Casey arrests a hobo for loitering, only to find out that the hobo is a walking advertisement for a tailor.
Because shoving arrows down your shirt is just soooo comfy! |
This Green Arrow tale was written by Ed Herron and drawn by his co-creator, George Papp. Though he didn't co-create Green Arrow (Mort Weisinger worked with Papp to do that), Herron wrote many Green Arrow tales. He also is credited with creating Captain Marvel Jr. and the Red Skull, as well as later heroes like Cave Carson, the western hero Nighthawk, and Mr. Scarlet and his partner Pinky. Besides Green Arrow, Papp co-created Congo Bill and drew the first appearances of Bizarro and the Phantom Zone.
The book takes a quick break with a short biography and a humor strip. "Walter Scott, Mystery Man of Death Valley" talks about the mystery behind where "Death Valley Scotty" gets his money. Rumors are of a gold mine he's found out in the desert. Men have tried following him to find it, but end up getting lost and dying out there. Other rumors say he got his money from a patron, the millionaire Albert M. Johnson (according to his Wikipedia page, Scott had several patrons besides Johnson). The humor strip, Daddy and Doodle, features a man putting a coin into a "fortune and weight" scale that tells him he's a spendthrift, then proceeds to put all of his money into the scale hoping to get the fortune that says he's actually thrifty.
This would be so much easier than enacting ID laws. |
Zatara was created by Fred Guardineer and premiered alongside Superman in Action Comics #1. This particular tale was written by Joseph Samachson and drawn by William White. Samachson was a biochemist who left the field to become a writer. He split his writing focus between comics and science fiction, writing a host of characters throughout the Golden Age and co-creating the Martian Manhunter at the dawn of the Silver Age. William White was a longstanding Zatara artist, working with a number of writers throughout the strip's history.
Decades later, James Cameron filmed an adaptation. |
This Batman story is credited to Bill Finger and Bob Kane. You might know them as the guys who invented Batman. Not that you'll see Finger credited as such, thanks to a deal DC struck with Bob Kane years and years ago. That's a story for another time, but worth discussing nonetheless.
That's it for the September calendar page. I'll be back soon with a write-ups on the October and November pages.
JL Franke is a fan of both hard science fiction and hard fantasy. He has been collecting comics for over 40 years and has been an on-and-off active member of online fandom for 25. Those interested can find other writings at his personal blog, NerdlyManor.com. He's also started a weight loss blog about his own journey, 200poundsandcounting.com. When not geeking out, you may find him at a baseball park or cheering on his favorite college and pro football teams. In his spare time, he is chief scientist for a research and development laboratory somewhere in the Washington, DC greater metropolitan area.
Tales from the Calendar: World's Finest Comics 36
Reviewed by JL Franke
on
Monday, November 19, 2018
Rating: